❓WHAT HAPPENED: The Kennedy Center concluded a five-week run of Les Misérables with impressive results, surpassing revenue expectations. Performances by musician Lindsey Stirling also sold out.
👤WHO WAS INVOLVED: The John F. Kennedy Center for the Performing Arts, Chairman Donald J. Trump, President Richard “Ric” Grenell, and the center’s patrons.
📍WHEN & WHERE: July, at the John F. Kennedy Center for the Performing Arts.
💬KEY QUOTE: “The overwhelming success of Les Miz reaffirms our commitment to bring back productions that draw large crowds of patrons which exceed both artistic and financial expectations.” – Richard Grenell
🎯IMPACT: The production generated 135 percent of planned revenue and raised an additional $10.2 million, attracting over 85,000 attendees.
The reformed Kennedy Center recently wrapped up a successful five-week run of the musical Les Misérables, which exceeded financial projections by generating 135 percent of the planned revenue, cementing its newfound success under the Trump administration.
The production kicked off with an exceptional opening night fundraiser, which raised an additional $10.2 million. The show attracted over 85,000 patrons throughout the run, demonstrating its wide appeal and success.
Richard Grenell, appointed President of the Kennedy Center by Donald Trump, who has personally taken over as the center’s chairman, noted the significance of the production’s success, stating, “The overwhelming success of Les Miz reaffirms our commitment to bring back productions that draw large crowds of patrons which exceed both artistic and financial expectations.”
Musician Lindsey Sterling also achieved sold-out performances at the center in recent days.
The Kennedy Center’s ability to draw such large audiences reflects its ongoing commitment to providing high-quality performances that resonate with the public and meet financial goals. Previously, President Trump believed the institution was being corrupted by a focus on “woke” ideology. However, he and First Lady Melania Trump have both enjoyed performances at the center since the reforms.
Earlier this month, The National Pulse reviewed the Kennedy Center-hosted Dolly Parton’s Threads: My Songs in Symphony, praising its achievement in pulling together “blue-collar dads, pearl-draped matrons, theater nerds, political climbers, and Gen Z TikTokers alike” in mutual appreciation.
Join Pulse+ to comment below, and receive exclusive e-mail analyses.